Deepfake technology is rapidly advancing, posing significant challenges to the detection of manipulated media content. Parallel to that, some adversarial attack techniques have been developed to fool the deepfake detectors and make deepfakes even more difficult to be detected. This paper explores the application of super resolution techniques as a possible adversarial attack in deepfake detection. Through our experiments, we demonstrate that minimal changes made by these methods in the visual appearance of images can have a profound impact on the performance of deepfake detection systems. We propose a novel attack using super resolution as a quick, black-box and effective method to camouflage fake images and/or generate false alarms on pristine images. Our results indicate that the usage of super resolution can significantly impair the accuracy of deepfake detectors, thereby highlighting the vulnerability of such systems to adversarial attacks.

Deepfake detectors are typically trained on large sets of pristine and generated images, resulting in limited generalization capacity; they excel at identifying deepfakes created through methods encountered during training but struggle with those generated by unknown techniques. This paper introduces a learning approach aimed at significantly enhancing the generalization capabilities of deepfake detectors. Our method takes inspiration from the unique "fingerprints" that image generation processes consistently introduce into the frequency domain. These fingerprints manifest as structured and distinctly recognizable frequency patterns. We propose to train detectors using only pristine images injecting in part of them crafted frequency patterns, simulating the effects of various deepfake generation techniques without being specific to any. These synthetic patterns are based on generic shapes, grids, or auras. We evaluated our approach using diverse architectures across 25 different generation methods. The models trained with our approach were able to perform state-of-the-art deepfake detection, demonstrating also superior generalization capabilities in comparison with previous methods. Indeed, they are untied to any specific generation technique and can effectively identify deepfakes regardless of how they were made.

Detecting diffusion-generated images has recently grown into an emerging research area. Existing diffusion-based datasets predominantly focus on general image generation. However, facial forgeries, which pose a more severe social risk, have remained less explored thus far. To address this gap, this paper introduces DiFF, a comprehensive dataset dedicated to face-focused diffusion-generated images. DiFF comprises over 500,000 images that are synthesized using thirteen distinct generation methods under four conditions. In particular, this dataset leverages 30,000 carefully collected textual and visual prompts, ensuring the synthesis of images with both high fidelity and semantic consistency. We conduct extensive experiments on the DiFF dataset via a human test and several representative forgery detection methods. The results demonstrate that the binary detection accuracy of both human observers and automated detectors often falls below 30%, shedding light on the challenges in detecting diffusion-generated facial forgeries. Furthermore, we propose an edge graph regularization approach to effectively enhance the generalization capability of existing detectors.

Predicting the quality of multimedia content is often needed in different fields. In some applications, quality metrics are crucial with a high impact, and can affect decision making such as diagnosis from medical multimedia. In this paper, we focus on such applications by proposing an efficient and shallow model for predicting the quality of medical images without reference from a small amount of annotated data. Our model is based on convolution self-attention that aims to model complex representation from relevant local characteristics of images, which itself slide over the image to interpolate the global quality score. We also apply domain adaptation learning in unsupervised and semi-supervised manner. The proposed model is evaluated through a dataset composed of several images and their corresponding subjective scores. The obtained results showed the efficiency of the proposed method, but also, the relevance of the applying domain adaptation to generalize over different multimedia domains regarding the downstream task of perceptual quality prediction. \footnote{Funded by the TIC-ART project, Regional fund (Region Centre-Val de Loire)}